I also hope to create a video version of this tutorial some time in the future.
#How to pluraleyes 4 export to davinci resolve full size
To see a full size version of each screenshot, click/tap on it and it will open in a lightbox. I have included screenshots for those, like myself, who find it easier to learn by seeing rather than reading. I am using PluralEyes version 4.1.11 and DaVinci Resolve 17.3.2 on Windows 10, so I can’t say how this works on a Mac. But what if their mic dies or somebody makes a spontaneous speech without using the mic? I also like to use the in camera ambient sound from a cut away camera feed and blend it in with the main mic so that I can get some of the guests’ laughter, applause and witty remarks! What I need is to be able to choose which audio track I need as I edit. The method I am about to expand on is the one I use to reach that goal. When I am filming a wedding reception speeches I usually connect the frequency of the wireless microphone being used to my Sennheiser receivers on the same wavelength, and then recorded onto a Zoom H1, Podtrack P4 or Tascam DR-40. The specific issue is that Resolve creates a sequence which only has 1 audio track. That can just get a bit messy when you come to synchronise it later.īut since moving to Resolve earlier this year I ran into a slight issue with how it processed PluralEyes, based on how Resolve creates multicam sequences. If you are not familiar with PluralEyes it is a program that makes synchronising multiple video and audio feeds a breeze! Sure, you could do it all on your NLE (Non Linear Editor) timeline and match up your clapperboard sync points but what if you are using several cameras and audio sources? I shoot a lot of weddings as well as other live events and am typically using at least 2 cameras, sometimes 3 or 4, and 2 external audio recorders.
OctoTechniques & Training / Software I have been using Red Giant’s PluralEyes software for many years now first of all with Adobe Premiere, then with Grass Valley’s Edius and more recently with DaVinci Resolve 17.